This fish-eye is meant for fun, there is no right or wrong way to use it, although you may be disappointed We were delighted with the lens’s sharpness, especially since it persists throughout the focal range and aperture. The Samyang hit the market as the overall widest aperture 16mm lens, but Tokina later dampened this claim with the release of their 14-20mm zoom … You wouldn’t think it at first glance since peripheral sharpness at f/2.8 is acceptable but unremarkable. border: 0px none; A circular fish-eye produces a circular image in the middle of the frame, and everything else is black. Just have to also figure in costs of lenses and FF. You should avoid setting the 16-35mm Vario-Tessar T FE F4 ZA OSS to 35mm at its max aperture. .table_d2e20 td { This lens isn't much bigger than a body cap. Compare now. However, they can all be used on the crop factor APS-C A-Mount cameras like the A77 II, A77, A65, Ect.. – Prime Lenses (fixed focal length) Sony 16mm f/2.8 Fisheye Lens. Decreasing the f-stop to f/5.6 brightens things up, but corner sharpness at 35mm doesn’t improve much regardless of aperture. When used with a full-frame sensor camera, this 16mm lens produces a 106.9°, super-wide angle of view. Notice the ghosting at middle right. The Sony Vario-Tessar T* FE 16-35 mm f/4 Zeiss Lens is a great choice for a wide-angle zoom lens. It’s the lens to get if you’re into landscapes, interiors, group events, or urban photography. The former is pleasing under the right circumstances, but the insides of the circles aren’t smooth. width: 710px; Your email address will not be published. border: 1px none; If you had a crop equivalent 16-35mm, they’ll produce the same photos on the same a6000 body. sunny out), there are magenta blobs clearly visible, but severity depends on angle and aperture. As stated in the beginning of the review, if you're a technical geek E-mount Full Frame format; Cinema Lens Series wide angle zoom; Advanced optical performance, operability and intelligent shooting functions ; FE C 16-35mm T3.1. From fisheye and telephoto to wide angle lenses, Sony has the Full Frame right lens for your occasion. Bokeh looks nice, but the rings are onion-shaped due to all the glare-reducing aspherical elements in the lens’s construction. to use, and due to the "fun factor" you don't have to worry about sharpness, distortion, and all the other stuff Sony (SEL1635GM FE 16-35mm F2.8 GM Wide-Angle Zoom Lens Full-Frame E-Mount Cameras w/Sandisk Extreme PRO SDXC 128GB UHS-1 Memory Card 5.0 out of 5 stars 2 $2,098.00 $ 2,098 . the sun seems to be well controlled. These were not scientific by any means. FE 28-60mm F4-5.6. with this lens, and not so much the distortive effects, but that's just me. The mount has a quality metal construction while the rest of the shell is made from weather-sealed plastic. fish-eye. Flaring is controlled, especially once you attach the broad lens hood and add polarizers. Interchangeable lenses for the Sony E-mount digital camera series with full-frame image sensors are added as members of the Art line. Re-badged Minolta lens from the 1980s, has built-in filters originally for B&W and color film photography. Sony Full Frame A-Mount lenses. We pomise.). You’ll have a hard time hearing it in a quiet room unless you place your ear close to the lens. 151,990 (incl. The issue I'm facing is that I want to future-proof myself by buying Full Frame lenses rather than APS-C. Sony has two lens mount types: FE (full frame) and E (APS-C). Sony has paid a lot of attention to its full-frame system since its 2013 debut, sometimes to the detriment of its more compact APS-C system, which uses the same lens mount. } border-color: #cccccc; and warranty card, a front cover (not shown but think of the 500mm F/8 reflex front cover) and rear cap. E 16mm F2.8 Wide Angle (SEL16F28) The SEL16F28 combines slimline design with a wide 16mm coverage and large F2.8 max aperture. It does all of this at a wide max aperture of f/.28, meaning it’s an excellent choice for event and wedding photography too. Interchangeable lenses for the Sony E-mount digital camera series with full-frame image sensors are added as members of the Art line. You’ll need special lenses to take full advantage of their large sensors, though, since combining them with APS-C lenses requires cropping or produces black edges. The autofocus is slow and hunts even in daylight. It’s getting heavy competition from the new kid on the block, the Sony FE 16-35 mm f/2.8 GM, but it’s much lighter and less expensive than its new brethren. The MC4 optics aren't great though. My Sony 16-50 f2.8 is my most common walk around lens but from these pics this lens not a good choice for FF. fringing crop below. However, compared with the top-flight Sony 24-70mm f/2.8 G Master, this lens is smaller, lighter and feels better balanced on A7-series bodies. border-color: #cccccc; If I go FF what lens or lenses should I consider that fill the need the 16-50 fills now? Smooth defocusing. border-color: #cccccc; covers the entire film or sensor frame. 3.15"  (80mm) distance is from longest hood protrusion. While Sony lenses can be shared across all of its bodies as the mount is the same regardless of sensor size, many are specifically designed to be used on either the full-frame … Sony 20mm f/2.8 Lens. Can you use a crop lens on a Sony A7iii or other Full Frame camera - Duration: 3:52. Stopping down to f/2.8 makes a significant improvement in sharpness, especially in the center of the frame. border-color: #cccccc; Accuracy for stationary subjects is superb and better than average if they’re moving thanks to Sony’s face- and eye-tracking. I got a request to see how the crop factor APS-C E-Mount Sigma 16mm f/1.4 DC DN Lens will work on the full frame E-mount cameras. As the first to market full-frame mirrorless cameras, Sony has a developed an impressive range of short telephoto primes that are ideal for portraits and indoor sports. /* 728x90, created 3/30/09 */ if you simply use it to try and "get it all in" or whatever. Initially, get your hand in the image, and won't notice it until after you download your images to your computer. It’s wide enough at 24mm for breathtaking landscapes and can zoom to the short telephoto end for portrait or sports photos in an instant. shade in the center with the fish-eye lens. This shot was taken with the Sony CZ 16-35mm, at 16mm, F/2.8. It’s among the sharpest primes in existence and effortless to use. Sony - FE 50mm F1.8 Standard Lens (SEL50F18F/2) Add to Cart Add to Cart Add to Cart Add to Cart Add to … qualities and 180° coverage of this fish-eye lens, a conventional 16mm lens would not produce anything similar. Due to the design of this lens, and the It’s uncommon to see a telephoto lens that holds its own at f/22 and can create a shallow depth of field without the image becoming soft even when zoomed in completely. The corners are a different story. Fairly quick, with a 1/4 turn from close-up to infinity. The Samyang 16mm f/2 ED AS UMC CS Lens hit the market claiming the widest aperture for any prime lens wider than 20mm. Bokeh and chromatic aberration are a mixed bag. I didn't feel like wrecking the lens. Architectural shot of the Red Rock visitor's center building at Saguaro nat'l Park east, Tucson, AZ. Better yet, they're fairly inexpensive when comparing them to a standalone cinema cameras with similar recording formats. The lines at the lower left corners If you stop down hard, like It is compact, lightweight, and ideal for a wide range of subjects. Sigma 56mm for E-Mount (Sony) Fixed Prime Camera Lens, Black (351965) Sony SEL85F18 85mm F/1.8-22 Medium-Telephoto Fixed Prime Camera Lens, Black. In any case, the Sony It was at IBC 2019 when Sony first introduced the FE C 16-35mm T3.1 G, a zoom lens compatible with all E-mount full-frame cameras, including the FX9, Alpha mirrorless cameras, and the new FX6.. Today, the company has released its first in a series of full-frame zooms. border-color: #cccccc; Sony’s premium standard zoom lens covers the sweet spot for all manner of professional photography. The 16-50 F2.8 covers full-frame on a Kenko MC4 1.4x/1.5x teleconverter. This is a pretty easy lens Ghosting control is fairly poor, as seen above. .table_d2e530 { The 55mm F1.8 Sonnar T FE ZA is Sony’s first FE standard prime and remains king when it comes to price and performance. While uncommon for wide-angle lenses, it introduces three stops of image stabilization that help you take better pictures without relying on a tripod. Excellent sharpness and flaring resistance are the 16-35mm Vario-Tessar T FE F4 ZA OSS’s stand-out features. I got a request to see how the crop factor APS-C E-Mount Sigma 16mm f/1.4 DC DN Lens will work on the full frame E-mount cameras. } E 16 mm F2.8 Wide Angle (SEL16F28) The SEL16F28 combines slimline design with a wide 16 mm coverage and large F2.8 max aperture. don't think most people are aware of what the lens will do. On the outside, there is the standard Sony matte black finish, All images below are crops from JPGs direct from the camera with sharpness turned down as far it will go (-3). life. And if you are looking to shoot macro photos then the Sony FE 90mm f/2.8 Macro G OSS is one of the best Sony full-frame lenses you could get. } the window at F/2.8, 4, 5.6, 8, 11, 16 and F/22. google_ad_client = "pub-5371664674251221"; Manufacturer description: Sony’s first 16-55 mm (24-82.5 mm full-frame equiv.) google_ad_slot = "0942891388"; It’s getting heavy competition from the new kid on the block, the Sony FE 16-35 mm f/2.8 GM, but it’s much lighter and less expensive than its new brethren. A full-frame lens (Sony 16-35 f/2.8) should work just fine on an a6000 crop body as long as the mount is the same (or you have an adapter). Best Value – Sony SEL24240 FE 24-240mm f/3.5-6.3 OSS, 3. There’s no distortion to speak of, and you’d have to intentionally point straight at the sun during golden hour to provoke minor flaring. .table_d2e43 td { I shot the 16-70mm lens on my A7m2, and an identical shot using my FE 24-70mm, AND an identical shot with the A6000/16-70 combo. 151,990 (incl. -->,